Archive for ‘Inspiration’

December 26, 2010

Shows, Buff-ays, and Surk Dee So-lays!*

I love Las Vegas, perhaps more than I should. It’s nothing more than a Disneyland for adults, complete with booze, food, and our own flashy arcade games. It’s overpriced and crowded. I can’t spend more than five days there without feeling a layer of cigarette ash and gin oozing from my pores. Still, I love it there.

I’ve been visiting Las Vegas since I was about twelve. Growing up in Los Angeles, Vegas was always just a quick car trip away. I still remember those drives through the desert: the stops in Barstow for In-N-Out Burgers, the glimpse at the tallest thermometer in the world. But the drive wasn’t as magical as the actual visit. While my dad would gamble at various casinos, I would walk up and down the Strip, ducking into the cheesiest tourist traps I could find. I bought tasteless shot glasses before I could drink and packs of cards from casinos I couldn’t visit.

I would even sneak through the casinos, hoping I wouldn’t get caught. I loved to lurk behind the players, watch their blackjack hands unfold, while I counted to myself. My favorite, though, was the craps table.  The game was a mystery I could never solve. The players would throw down their chips, yelling “yo” and “come” and “eight the hard way” and I watched the dealers stack the chips neatly on the green felt squares. I would often hold my breath at the throw of the dice, watching them tumble and land, as the players cheered and swore. I still don’t understand the game.

When Aaron and I visited Vegas last week, I spent most of my time watching other people. I watched the gamblers at their tables, the tourists tramping the Strip, and the locals working the crowds. On this trip, I paid special attention to the people we aren’t supposed to see. There were more homeless people than I remember before, holding cardboard signs asking for mercy, for change, or for a drink. A man we met in the elevator at the newest casino, Cosmopolitan, said, “They spend billions of dollars building a new casino, but we can’t solve world hunger.” His teeth were whittled down to points, black from tobacco. I watched the cocktail waitresses, in their various uncomfortable uniforms, hoist drinks above their heads and tuck singles into their tip cups. I watched the dealers, as they motioned to their pit bosses for more change, for cutting players off alcohol, for their cigarette breaks. I watched the mostly immigrant workers, handing out flyers for strip clubs and escort services, snapping the flyers with their fingertips, just to grab the tourists’ attention. At night, they sounded like crickets, as we walked past them.

Now that I live in the Midwest, I can only visit every few years. I’m always astounded at the changes. This time, it was the new City Center, with flagship designer stores and generically luxurious hotels. Before that, it was the Wynn and Trump. Before that, it was the Venetian, I think.

I miss the Vegas that I hold in my memory, the vaguely seedy desert town. I miss the stores that sold a dozen donuts for 12 cents, just so you plugged a few quarters in their slot machines while waiting for your order. I miss the casinos I wasn’t supposed to walk through, because they felt like a foreign country. Now, they feel ordinary. I miss having all that waste (the spent electricity, the water for fountains, the gallons of alcohol) so close to me, just a quick decision away. I can never hop into my car, drive through the night, and end up there, with everyone else. I can only visit for a week, and lay the current version of Vegas, above all of my other versions, like a multiple exposure. I can only align the edges and look for the places they overlap.

* The title of this post comes from a line I overheard from a ticket hawker on the Strip.

December 17, 2010

Carrying Stones

Inspired by Deb Scott, Christine Swint and Dave Bonta, I have decided to take the plunge into my first writing challenge of 2011. I am going to participate in a river of stones’ NaSmaStoMo (National Small Stones Month).

Hosted by writer and editor Fiona Robyn, NaSmaStoMo asks that writers post one small stone a day. A small stone is a finely polished observation, similar to other micropoem forms. You can learn more about small stones by reading a handful of stones, the small stones blogzine that Fiona curates, or by checking out the a small stone blog.

Having never written a small stone before, I am eager to start exploring this form.  I am also looking forward to starting the new year with this activity that will root me in my mindfulness and creation. As I begin to think of New Year’s Goals for 2011 and for my One Little Word for the year, I think this practice will align well with what I have in store for myself.

Interested in joining up?  The sign in post is right here!

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December 5, 2010

Making Words Into Objects (Blameless Mouth Release Tomorrow!)

(Me on the day I received my first proof)

I think one of the most difficult things about being a writer, as opposed to a visual artist, is that you very rarely make anything tangible. A painter works with physical materials and creates an image on canvas or paper. A collage artist works with scissors, paper, and glue to make a bumpy, layered mosaic. Even a photographer can either work in a darkroom or with a high end printer to create a glossy image, if necessary. But a writer just clicks keys on a computer or scribbles in a notebook to create something that never really lives outside of them. It’s ideas on a page and those ideas are not often made physical.

That is, unless, you choose to publish your work in the print medium. Up until starting my own publishing process, I think that I discounted the importance of making a physical object out of my writing. I knew that I wanted to put Blameless Mouth out in the world, because I believed it had value as a work. I thought it should be read, that the ideas should be “heard’ by others. Even while working diligently over my manuscript, removing typos, making the poems fit into the template, and working with an artist to create the cover, I didn’t realize the importance of making an object of my writing.

But then, I received my proofs in the mail. (I have two, so that I can send one to the Library of Congress for my LLCN documentation.) I cannot tell you how eerie and wonderful it is to hold an object that is made out of my writing. I’ve built something out of words, something that someone else can hold in their hand and read. It has weight and heft. It has texture. When handling my proofs, I’ve been touching them gingerly, by the corners, as if they might break. I know that it’s silly and superstitious, but it’s new for me to have an actual object to pass along to others.

Of course, that’s the important part. I didn’t publish Blameless Mouth so that I can hold it in my hands, even though it’s really exciting. I made it so that others can hold it in their hands, take it to their favorite reading spots, and read it. Tomorrow, I will be releasing my book into the world, and I hope that you will join me for the celebration.

Tomorrow, I will post something here with a special discount code (15% off, thanks to Lulu) and the URL for the book. I will also be hosting, as part of my Virtual Release Party, a giveaway for 2 lucky people to receive a copy of the book. If you want you can RSVP to the Release Party here and join the Blameless Mouth page here, if you want to share the experience with others.

I hope that you will join me in my celebration.

July 26, 2010

Wisconsin & Other Things

I am in the middle of my final real vacation of summer, entertaining my Californian dad with a few real Midwestern experiences. Yesterday, we returned from three days in Hayward, Wisconsin for the Lumberjack World Championships and tomorrow we head to Madison for a few days.

It has been fun, but I have barely had time to breathe. My saving grace in the past few days has been my camera. Earlier this summer, my husband bought me a small video camera that also takes still pictures.  I used it constantly on my trip to the North Woods. I have already posted some photos, and have added more below, and added even more over at Flickr*.

At a rest stop near Osceola, WI

The 60 foot and 90 foot climbing poles at the LWC

On one of the lakes in the flowage around our resort

What I’m really excited about is my video. I have taken some gorgeous video of the lakes and woods near our resort, which I hope to post by the end of the week. I want to compile it and I don’t know if I’ll honestly have the time.  I also have some not-as-visually-appealing-but-still-fun video of the lumberjacks doing their thing, which I’ll also post soon.

I’m still learning about video and how to do it well. I’m finding that I like to treat it like a still camera that can show time elapsing. Not very interesting, but that’s primarily what I’ve been doing. I’m still learning about movement and how to capture what’s visually engaging in this new medium. It’s done a lot for my creativity.

In other non-photo/video news, I am participating in the August Poetry Postcard group.  I have already picked up 5 postcards and hope to get another batch in my trip to Madison. Tomorrow is the first day to send poetry postcards out, which I plan on doing before I leave for Madison.  There’s still time to sign up, if you want to play along.

I’m conflicted (slightly) because I want to post the postcards here, but not before the recipient sees it first. Should I wait until the month is over? Should I institute a 5 day delay? Post a weekly recap? If you have any brilliant solutions, please let me know.

Finally, in other non-Wisconsin/non-poetry/non-photography news**, I would like to direct your attention over to John Hayes’ post on Zoe Keating. He’s posted an excellent description of her work, as well as really cool videos of her playing.  I plan on downloading her album today, before leaving tomorrow, so that I can listen in the car.

Whew. That’s how I’m doing. How are you?

* I finally bit the bullet and became a Pro member. I hope it’s worth the fee. Over the next few weeks, I’ll be doing a huge photo dump of most of my digital pictures over there.  If you’re over there, please say hi.

** Please excuse the brain dump. This is speed blogging at it’s best (and worst.) I just don’t know when else I’ll have the time to write this all down.  Thanks for reading my jumbled thoughts. :)

July 20, 2010

At Last

There is too much in this world that I love.

On my last day, I will want to hurry and devour everything I will miss.

Even that which is inedible.

I will want it all.

***

This photo array is intended for two prompts: my last meal prompt from Day 17 (writing from my belly) and Day 16 (my last meal).

When I woke up this morning, I intended to visit my neighborhood’s community garden to take pictures of some of the fresh, green food that I would want as my last meal. But as I was walking towards the garden, I kept noticing all of the other things: the details in my neighborhood that I love. While walking, I realized that I wouldn’t want to take in just food on my last day, but all the little things that I would miss. Everything.

The more I thought about this, as I snapped pictures of non-food, I realized that this is really about appetite. I am hungry for input, experience, beauty, and life.  This is a sense that originates in my belly but can’t be satisfied by food alone.

I hope that I can keep these photos and the snatches of lines as a reminder about this feeling of hunger and a finality. Some day, it may be a poem or a collage. But for today, it’s two completed exercises.

July 16, 2010

Simple Things for Summer

I heard a rumor that folks were posting a Simple Things today, in honor of Christina’s birthday. I actually found Christina’s blog through her Simple Things meme, but came to be a regular reader, because I love having a shot of positivity (and beautiful photography) in my Google reader on a regular basis. And like with all good blogs, I ended up discovering other blogs I enjoy, just by reading hers. So, thank you Christina & happy birthday!

And now for my summer edition of my favorite simple things right now:

  1. A non-humid day, immediately following a ridiculously humid day.
  2. Grilling dinner on our rooftop deck, three times this week (and counting).  There’s also a grilling party at a friend’s house tomorrow. Can I just say that I love grilling food?
  3. Waking up with the light.
  4. Staying up with the light, later than I normally do.
  5. Getting blueberries for my cereal from the farmer’s market rather than the freezer case.
  6. Heck, the farmer’s market altogether.
  7. Short Fridays.
  8. Three vacations in one summer. The next one starts next Thursday, when my dad comes to town.
  9. Seeing my husband more often than during the school year.
  10. Summer movies in the park. Tonight is The Muppet Movie!

Those are my simple things that are bringing me joy this summer. What are yours?

July 10, 2010

Fold & Staple

I remember back in the early nineties, when I was a teenager and reading Sassy magazine, that everyone my age (and slightly older) made zines. Armed with glue sticks,  Polaroid cameras, and Xerox machines, zine editors compiled music reviews, essays, poems and pictures and crafted homemade issues.  I was never quite cool enough to make a zine (even though I really wanted to) but I certainly sent my fair share of self-addressed stamped envelopes out to people who did.

I don’t know if the zine publishing community continued all this time and I just fell away from the interest or if there is a recent resurgence of zine-making.  Whatever the case, I am so glad that I’ve rediscovered this publishing niche. Today, Aaron and I went to Steven Square Center for the Arts for the 2010 Twin Cities Zinefest.

The SSCA’s gallery space was crammed with tables showcasing mostly local zine publishers, micropresses, comic book artists, and book artists. As I traveled from table to table, perusing the gorgeously handmade booklets and cards, it took all of my personal power not to buy something from every exhibitor.  Instead, I settled on two issues of “Certain People I Don’t Know: Profiles of Metro Transit Friends” from Terrible Comics by a Terrible Person. (They aren’t terrible; they are awesome and funny.) I also bought four issues of The Burn Book by Action Athena artist Athena Currier.  I could have (should have) bought more.

Visiting Zinefest this year gave me the urge to do two things:

  1. Join Steven Square Center for the Arts.
  2. Grab a pair of scissors and some poems and craft up a zine of my own.

Both of these are now in the realm of possibility.

June 23, 2010

Starting Over

To say that I’ve been in a creative slump is an understatement. The truth is that I’ve been unmotivated in my creative work since April. In these few months, everything has zeroed out: poems, photography, collages, even this blog. It’s almost July and I don’t have much creative product from the spring or early summer. I cringe when I write this, because I’ve been training myself to think of my creativity as a process, not a product. (Hence the blog title, after all.) But, if I’m being truly honest with myself, I have totally opted out of my process. I am derailed.

I know how my slump started: a very specific work stressor initiated my decline. When I’m stressed, I run from any creative work. To me, this is counter to everything I know about my creativity. I know that when I’m creating, I am happier and healthier. I know that it’s not about my output, but about my well-being. Yet, whenever I encounter stress, I steep myself in the stressor. I live, breathe, and eat the stress. Then, whenever I have free time, I look for anything that numbs my brain. I turn to television, obsessive reading, and other “relaxation” techniques.

This is (of course) a self-fulfilling cycle for me. The more absorbed I become in my stress, the less I create. The less I create, the less aware I become and my stress level increases. Stress-retreat-stress-retreat. When I’m deep in this cycle, I feel less than myself. I feel like a shell of who I really am. In my creative-brain, I know that I can break this cycle by forcing myself to create. But, in my stress-brain, creating seems like another to-do list item. Wouldn’t it be much more fun to read *another* paperback mystery instead?

Rather than saying that this cycle ends today, because I know it will most likely return, I am saying that I am starting over today. I am choosing to take charge of my creative life again, not because it’s another thing on my to-do list, but because I need regular creative practice in my life.

Yesterday, I realized that I needed a project to jump me out of my creative slump. After all, I work best with projects and deadlines. I thought that one way I could jumpstart my creative practice is by working through a month-long creative intensive that I write myself. The intensive would mainly include creativity exercises in my various mediums, just so that I could get back into the practice of creating. Since I have a vacation that starts on Monday, I am starting this class on Wednesday, July 1.

Once I had this brainstorm, I realized that I already have the theme: mindfulness. I’ve been reading lately about mindfulness, mainly through The Miracle of Mindfulness and Resonant Leadership. Considering my stress cycle, mindfulness and awareness seem like the perfect theme. What better way to stop numbing myself than to focus intently on cultivating my awareness?

My 31-day intensive will focus on the following areas:

  • Committing to Mindfulness (Day 1)
  • Sight Awareness (Days 2-6)
  • Sound Awareness (Days 7-11)
  • Scent and Taste Awareness (Days 12-16)
  • Body Awareness (Days 17-21)
  • Self Awareness (Days 22-26)
  • Moving Forward Mindfully (Days 27-31)

(Please note that I am using the words “mindfulness” and “awareness” interchangeably.)

For each day, I am going to post a brief exercise. I may not post every exercise result, but I am committing to trying each exercise.

To be honest, I am panicking now that I am writing this down. I know this is something that I need to do, but I’m so nervous about starting something this ambitious. Therefore, I am giving myself permission to try something new. Whenever I try something new, there is the threat of failure. But there is the possibility of success and the hope of achieving something new. Even if I fail, it’s better than the drifting I’m doing right now.

June 1, 2010

The Beauty (and Terror) of a Blank Journal

I woke up yesterday with an image in my head. It was of one of the pictures I took the day before with the word “illuminate” hovering above it.  I knew almost immediately that this image was my new journal cover. I got to work.

I’ve been making my own journal covers since college. I always start with the same raw materials – a Mead 5X7 Academie Sketch Pad and an idea.  Once I have those two tools in place, I begin collaging/painting/assembling the new journal. I figure that I go through 2-3 journals a year. That means that between my bookcases and storage spaces, I have approximately (conservatively) 36 journals.

I don’t know if I ever fill my journals, cover to cover. I use them as my primary repository of my poems in their early drafts. Once I have a typed version of the poem (around 2-3 drafts in), I make all future changes on the computer.  Every so often, I use my journals for free writing, complaining, or recording. Mostly, they are for my poems.

I use a single journal until it’s either three-quarters full or when I need a shift in my writer’s practice. Or both. Once I recognize the need for a new journal, I wait for the journal image to arrive. Or, as it did yesterday, my image arrives first.  Once I realized I had an idea, I flipped through my current journal and realized that it was time for a change. It was around 60% full and the cover didn’t seem appropriate any longer.

Like most of my journals, the cover of my last journal was central to who I was at the time I made it.  It was one week post-surgery and I was barely hobbling around our one bedroom condo on crutches. The image was of a small, dark-haired girl sitting at a desk. Next to her, I wrote, “Today, she thought it best to stay inside.”  Six months later, this no longer fits me. I am walking 30-60 minutes a day outside. I am no longer retreating and waiting to heal. I am recovered.  Though I didn’t know it the day before, it was time for a new journal.

When I look at the covers from all of my previous journals, I remember more who I was at the time of its use, rather than what I wrote.  I have a general sense of the poems, sure, but I more accurately picture my life at the time. I can also think of a time in my life and recall (somewhat accurately) the journal I was using at the time.  Whenever I dig through my old journals, which is rare, I touch each cover and remember what that time in my life was like. Then, I flip through the pages to reread the poems.

Right now, my new journal blank.  And that blankness is scary to me, because each new journal is a promise and a dare.  It’s a promise that I make to my continued writing practice and a dare to fill its pages.  With each new journal, I have a small, lingering fear that this may be the last. I may never fill it with anything good or anything at all. But then, I remember all the journals I have filled and I begin filling the pages.

May 15, 2010

On Showing Up

Lately, I’ve been worried about creative practice. Specifically, I’ve been worried about my lack of a creative practice.  For the first few months of the year, I was rocking through my creative work. I was writing prolifically (for me) and doing some painting/collaging on the side, just to keep myself fresh. I was feeling good. Then, in the last month or so, my work life has taken a much more dominant position in my daily activities. I haven’t had as much time or energy to write or create. In fact, I’ve been moping around and not having fun, either in my writing or at work.

I’ve been a creative person long enough to know that this is how it works. If you look through my journals and blogs over the course of my 16 years of being a writer, there is a trajectory. There are up-times, when I write and love it, and there are down-times, when I feel I may never write or create again. Not only is it a creative roller coaster, it’s an emotional roller coaster, because I tie my emotions to my creative output.

I understand that there is another way. Yesterday, my good friend Kate sent me a link to Elizabeth Gilbert’s TED Talk from February 2009, which I’ve embedded below.

Go ahead and watch it. I’ll wait.

In this talk, Gilbert discussed the source of creative inspiration and locates that source outside of the human creator. She absolves creative people from the sole responsibility for creation. There must be something else, something elusive and intangible, which drives the work.  The creative person’s only responsibility is to show up.  Sometimes it works and sometimes it just doesn’t.

This lecture is a revelation to me. I spend so much of my time mourning for or reveling in my creative work that I often forget to just show up.  I stress, I fume, I make vows to do things differently. But I am not present in my work. I find this happens most often, for me, in times of extreme stress. The more agitated I get by an external pressure, the less present I become. I escape, through reading or watching television, or finishing tasks. But I don’t show up, remain present for the work, and then leave.

My goal, for the next week, is to just show up.  Carve out a little time for my creative work and show up there. I’ll put in the time and then leave. If the daemon/genius/muse shows up, I’ll say hi and thank you. If she doesn’t, at least I will know that I tried my best with the time that I had.

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