Posts tagged ‘street photography now’

November 4, 2010

Another Unaccompanied Street Photograph


One of these days, I’ll write a poem for this photograph. But not today.

This photo was in response to Week 4 of the Street Photography Now Project. The prompt, from photographer Michael Wolf, was incredibly challenging. “Document some evidence of human ingenuity that would otherwise go unnoticed. Do it without including any humans in the picture.”

On the Flickr group discussion board, there was much wailing and gnashing of teeth over what is considered ingenuity and what is considered unnoticed. I had a hard time with both of these concepts as well. After all, what is the difference between exceptional ingenuity and just everyday cleverness? How do we know if something is noticed by others, if we see it ourselves?

I ended up picking this picture because it took me by surprise. I was walking very near my home and just looked up at the right time. I found that someone had taken a dried branch of leaves and stuck it in the street signs, creating a simple sculpture. Since I almost passed by it myself, I considered it unnoticed. Since it created a little bit of beauty out of utility, I considered it ingenious. Hopefully, I got close to answering the prompt.

October 26, 2010

A Picture Without a Poem

For the third week in the Street Photography Now Project, our instruction came from photographer Nils Jorgensen, who said, “Take a bus. Do weekly shopping. Pop into a public loo.” This is the week I began to struggle with street photography.

I’ve taken pictures on the bus before, so that wasn’t a problem necessarily. For some reason, taking pictures while I was shopping, which I have also done before, started to feel a little predatory. I felt like a stalker of strangers. See, all the discussions at the Flickr group have been emphasizing the importance of candid shots of people within street photography. So, I tried very hard to take shots of people, while they were shopping or while they were working at the grocery store. I felt like I was taking advantage of these strangers, using them. I was too shy or too ashamed to get close enough to take good pictures. I didn’t dare taking pictures in the public bathrooms, because that definitely would have gone too far for me.

My cameras don’t have very good zoom lenses, so I was stuck with wide shots of people going about their daily lives on the bus and the store. I only took 3 shots that I felt were even close to good. Still, I didn’t feel connected  at all to any of them. After an informal Facebook/Twitter poll, I chose to post the above photo.
Even now, I am struggling with writing a poem about this woman. It may come to me some day, but I am not feeling it today.

Since we’re well into Week 4 of the Street Photography Now project, I felt that I better post this picture and try to move on. Maybe a poem will come to me later in the year.

October 12, 2010

My Annual Ghazal

Ghazal on Falling and Flight

Balled fists shoved in pockets, his shuffling feet choose flight.
Stretching his stride against concrete, shadows extend, choose flight.

When did we become so earthbound, so moored in place?
We awake from our dreams, slow and stuck. How did we lose flight?

This time of year, we are showered in gold and red
as brittle leaves break free from branches, drift loose and choose flight.

This morning, I watch the crows, those bundles of blue
black feathers. As they balance on bare trees, do they choose flight

In our calculated flight paths, we traverse air,
treat thousands of miles like mere steps. Flying, we abuse flight.

Look at how we shelter our children: buckle
them in car seats, cage them in cribs. See how they strain, bruise flight.

A few weeks ago, still in summer, I watched
pigeons swoop low over a garden. Their wings’ beat: use flight.

We both take our turns. We inch towards freedom then
turn back, to meet safety. Our compromises ask: Whose flight?

Woman, you are running out of time. You have filled
all of your wasted days and weeks. When will you jump and choose flight?

***

I don’t really write ghazals annually. I would say that I write them rarely. I really enjoy the form, because it is a challenge. Beyond the obvious difficulty of creating good rhymes and repeating refrains creatively, it’s very difficult for me to write a poem that doesn’t follow a single subject. Since this is so hard, I only work on ghazals when I really feel like it.

I felt like it today. I decided on a ghazal to complement my second Street Photography Now Project photo, which I actually uploaded to the Flickr group on time.

The prompt for the week was the following quote: ”Turn your attention to the four-legged population” – Ying Tang. For many days, I carried my camera everywhere, trying to find a dog, cat, or perhaps even a squirrel to photograph. I learned in these few days that no one seems to own dogs in my neighborhood and squirrels are very jumpy creatures. As I was watching for four-legged animals, I noticed that at a certain time of day, people were casting shadow legs when they walked. So, instead of hunting real four-legged animals, I started hunting people’s feet. It’s much easier. Also, as someone pointed out to me on Flickr, the guy’s shoes has a puma on them, which is definitely four-legged.

I don’t really know why I chose a ghazal for this picture, other than it just felt right. (Maybe I was subliminally inspired to write one, since I recently bought a book of ghazals by John Hayes on Lulu.) I do know that I chose the refrain based on the fact that the shoe in the picture is extended upward, as if it’s about to lift off the ground. That little lift led me to flight, and to this poem.

October 8, 2010

Intimacy

Intimacy

I live with the smell of you
on my skin and hair.  You
are always there, sitting
one seat ahead or behind. Sharing
the space beside me. We both
do our best to ignore the other.
We rest our eyes against the sunlight, fight
to read our heavy books. We look
outside the window, watch the elms
and ashes blur to green and gray
streaks. All the while, we peek
at each other’s rumpled clothes. We
have always lived this close,
sat shoulder to shoulder
with strangers. Damn the danger
of breathing and living with people
we never know. You and I,
we’re just trying to get home.

***

I took the above picture on September 30, in response to the first prompt from the Street Photography Now Project.  Their goal is to post 1 prompt a week for a year, written by a prominent street photographer, and invite photographers to respond to the prompt with photos posted to a Flickr group. Photographers have 6 days to post their pictures.

I began taking pictures last week, in response to the following prompt/quote by Bruce Gilden: “If you can smell the street by looking at the photograph, it’s a street photograph.” As I was taking pictures, Aaron suggested that I write a poem in response to one picture per week. It seemed like a good idea, so I went for it.

Unfortunately, I misread the date cut-off for the first group, so I missed my deadline to submit on Flickr. I would have submitted this picture, if I hadn’t missed it. You can see all of my first week photos here. Hopefully, I’ll have better luck (and better attention to detail) with this week’s prompt.

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